#Cytomic the glue review plus
Suite comes bundled with a huge library of existing devices, plus 25 brand-new ones. Now, though, there is another reason to opt for the more expensive Suite edition, as it includes Max for Live, a hugely powerful open device platform that lets users create their own devices, be it synths, FX, whatever - and then use or buy others that have already been created. The vast majority of users are better off going for the Standard package, as the additional sound libraries that come with the more expensive versions are okay, but have never really set the production world on fire. This really is a game changer.įor a few years now, Live has come in differently priced packages.
#Cytomic the glue review software
Producers can even just whistle, sing or hum a riff into Live and let the software do the rest. The musical analysis will be a monumental leap forward for anybody who has ever struggled to replay a riff or chord, or get a riff from their head into the machine as MIDI. Drums mode currently only recognises kicks, snares and hats, but it is staggeringly useful. There are three algorithms drums, poly (for chords etc.) and single note, and they all work like a charm. As the name suggests, this amazing feature analyses any audio then decodes this into tuned and timed MIDI clips. One of the big game changers and jaw-dropping features is the new Audio-To-MIDI function. In addition to all of this, Live now lets producers draw automation into individual clips, allowing for really complex programming of individual clips and, for example, to actually program plug-in FX automation into the tracks that a DJ might drop at a gig, freeing them up to do other things. Other very important improvements include automation curves and a variety of clever and innovative MIDI editing features, such as improved copy functions. DJs/producers can take their own track and make it available for live play and remixing in Session view. Foremost is a stunning new mode that allows users to take any chunk of arrangement in the Arrange page (the more conventional view where the usual layout of productions is worked on) and then turn that automatically into a Live trigger-able scene in the Session view. It even tailors suggestions based on past choices, and then lets producers instantly preview them all from the browser (even instrument presets). More useful updates come on the general editing and arrangement side of things.
bass) across any or all of the libraries, plug-ins, presets, everything. For the first time, users can see everything, search for key words (e.g. It might sound about as sexy as woollen knickers, but one of the best updates in 9 is the browser. The actual EQ filters themselves have been tweaked too, offering new modes and analogue-style curves - or simply use the originals for backwards-compatibility.
Users can even target parts of the display with the mouse to see what musical note the frequencies cover. One such feature is individual band soloing, which brings immeasurable improvement to the precision of EQing.
#Cytomic the glue review update
The most visually spectacular update is to EQ Eight, which now features a huge pop-out display and a raft of new features. These help novices to understand what is going on and give a visual warning when users are over-compressing. There are also various other improvements to the original program, including additional meters, controls and various little tweaks, so Live users with huge plug-in libraries would do well to revisit these staples. In a nod to modernity, it can react much faster than the original SSL (allowing it to act as a limiter), offers true side-chaining (for Prydz-esque pumping), and features a dry-wet control which can sound great for battering a drum track without making it sound flat. The existing effects found in Live, Compressor and Gate, have also been updated to offer real-time graphical interfaces, showing exactly what they are doing to a signal as it happens. Adapted from Cytomic's The Glue, it is a nicely modelled version of the classic SSL compressor used on countless pop hits and boasts an incredible knack of pulling mixes together. One of the headline additions to the new version is the Glue compressor. There's a wealth of new features that have been implemented to make the workflow of this unique DAW even more refined - and more powerful. Whether it's a DJ mix platform, sole studio companion or useful part of an integrated studio, more and more people are getting onboard. Designed a decade ago as a live performance tool, Ableton Live has progressed from a live audio toy and mash-up-meister to a fully-fledged audio and MIDI production powerhouse.